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AMAZONIAN DYSTOPIA
2022 World Press Photo
Lalo de Almeida
2021 W. Eugene Smith Fund Grant Recipient -
“DESPITE WE PROUDLY CLAIM TO DOMINATE NATURE,
WE ARE STILL ITS VICTIMS, AS WE HAVE NOT LEARNED
TO DOMINATE OURSELVES.
SLOWLY, BUT WHICH SEEMS FATAL TO US,
WE ATTRACT DISASTER.”
Carl Jung
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The Amazonian Dystopia is a project that Lalo started more than 12 years ago when he began to document the construction of the Belmonte power plant on the Xingu River with all the environmental and social damage that this work brought to the region, since then it has followed the effects of other infrastructure works and actions that repeat the same model as the Trans-Amazonian highway, the mining, the fires, the devastation of the forest and the systematic annihilation of indigenous peoples alongside all the social chaos that the predatory advance on the forest provides, an occupation which aims only at the uncontrolled extraction of raw materials to the detriment of conservation itself and without taking into account the local populations.
The project won the World Press Photo 2022 Photo Contest in the category "Long-term Projects" and the 2021 W. Eugene Smith Fund Grant Recipient, one of the most renowned internationally, Lalo was the second Brazilian photographer to obtain this distinction alongside Sebastião Salgado who won the award in 1982.
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Lalo de Almeida, Vitória do Xingu, PA, da série Distopia Amazônica / Vitória do Xingu, PA, from the series Amazonian Dystopia, 2013
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Lalo de Almeida, Itapuã do Oeste, RO, da série Distopia Amazônica / Itapuã do Oeste, RO, from the series Amazonian Dystopia, 2015
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Lalo de Almeida, Altamira PA, da série Distopia Amazônica / Altamira, PA, from the series Amazonian Dystopia, 2013
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Lalo de Almeida, Campo Novo dos Parecis, MT da série Distopia Amazônica / Campo Novo dos Parecis, MT, from the series Amazonian Dystopia, 2021
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Lalo de Almeida, Apui, AM, da série Distopia Amazônica / Apui, AM, from the series Amazonian Dystopia, 2020
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Lalo de Almeida, Manicoré, AM, da série Distopia Amazônica / Manicoré, AM, from the series Amazonian Dystopia, 2018
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Lalo de Almeida, Peixoto de Azevedo, MT, da série Distopia Amazônica / Peixoto de Azevedo, MT, from the series Amazonian Dystopia, 2019
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Lalo de Almeida, Peixoto de Azevedo, MT, da série Distopia Amazônica / Peixoto de Azevedo, MT, from the series Amazonian Dystopia, 2019
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Lalo de Almeida, Novo Progresso, PA, da série Distopia Amazônica / Novo Progresso, PA, from the series Amazonian Dystopia, 2014
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religion and fanaticism
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Lalo de Almeida, São Gabriel da Cachoeira, AM, da série Distopia Amazônica / São Gabriel da Cachoeira, AM, from the series Amazonian Dystopia, 2019
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Lalo de Almeida, Atalaia do Norte, AM, da série Distopia Amazônica / Atalaia do Norte, AM, from the series Amazonian Dystopia, 2021
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Lalo de Almeida, Benjamin Constant, AM, da série Distopia Amazônica / Benjamin Constant, AM, from the series Amazonian Dystopia, 2021
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resistance
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Lalo de Almeida, Altamira PA, da série Distopia Amazônica / Altamira, PA, from the series Amazonian Dystopia, 2013
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Lalo de Almeida, Altamira PA, da série Distopia Amazônica / Altamira, PA, from the series Amazonian Dystopia, 2013
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Lalo de Almeida, Caranara, MT, da série Distopia Amazônica / Caranara, MT, from the series Amazonian Dystopia, 2016
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Lalo de Almeida
is one of the most important photojournalists working in Brazil, with a trajectory of over 27 years at Folha de São Paulo, one of the main daily newspapers in the country, for 12 years he was a contributor from Brazil and South America to The New York Times.
His photographic journalism reports won some of the most important international awards and the present photographic series “Pantanal Ablaze”, that we are presenting as “Ashes from paradise”, was the winner of World Press Photo 2021 Photo Contest in the category Environment.The series “Amazonian Dystopia” received the W. Eugene Smith Memorial Fund Grant of 2021.
Lalo de Almeida:
Amazonian Dystopia: Humankind X Nature
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